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Will Jayz and Beyonce Go on Tour Again

Written By Friday 18 March 2022 Add Comment Edit

American performer Beyoncé and rapper Jay-Z, besides known as duo The Carters' concert tour in 2014

On the Run Tour
Tour by Beyoncé and Jay-Z
On the Run Tour poster.jpg
Associated albums
  • Beyoncé
  • Magna Carta Holy Grail
Start appointment June 25, 2014 (2014-06-25)
Finish date September 13, 2014 (2014-09-13)
Legs 2
No. of shows 21
Attendance 979,781
Box office $109 million ($119.16 million in 2020 dollars)[i]
Beyoncé tour chronology
The Mrs. Carter Show World Tour
(2013–14) 		On the Run Tour
(2014) 		The Formation World Bout
(2016)
Jay-Z tour chronology
Magna Carter World Bout
(2013–fourteen) 		On the Run Tour
(2014) 		4:44 Tour
(2017)
The Carters bout chronology
On the Run Tour
(2014) 		On the Run II Tour
(2018)

The On the Run Tour was a co-headlining stadium tour by American performer Beyoncé and rapper Jay-Z, also known as duo The Carters. The articulation tour came shortly after the ii had finished their own solo tours — Beyoncé'due south The Mrs. Carter Show World Tour and Jay-Z's Magna Carter World Tour (both 2013–2014). The tour'southward proper name spins off from the 2013 song "Function 2 (On the Run)", included on Jay-Z'due south album Magna Carta Holy Grail, on which Beyoncé features. An official affiche for the tour was released along with the announcement of the venture, showing Beyoncé and Jay-Z embracing whilst dressed in black ski masks, post-obit the criminal "on the lam" narrative found in the couples' 2002 first unmarried together, "'03 Bonnie & Clyde" and "Part II (On the Run)".

To promote the tour, a faux movie trailer video was premiered in May 2014 entitled "Run" (stylized as "RUN"). The video, which features eight celebrity cameo appearances, showcases the couple in a variety of Bonnie and Clyde style, action and gun packed situations. The tour itself was noted to follow this same theme throughout, with like video interludes incorporated into the production of the testify. Critics generally lauded the tour, praising the extravagant set listing, dynamic and detailed theme and story of the evidence and both artists' performance abilities, however some felt the on stage chemistry between the couple was not what it could have been.

Due to the large demand and tickets selling out in minutes in multiple locations, actress tour dates were added to the itinerary. The bout became a commercial success, grossing $96 1000000 in the first xix Northward American shows and $109.7 meg in total likewise as attendance totalling at 979,781. It was the 5th highest-grossing tour of 2014, co-ordinate to Pollstar 'south annual yr terminate tour chart. The bear witness was broadcast in its entirety on September 20, 2014, airing on the US television set network HBO, post-obit the taping of the two concerts in Paris, France, where the tour concluded.

Groundwork [edit]

Beyoncé and Jay-Z offset collaborated in 2002 on "'03 Bonnie & Clyde", a song from Jay-Z's seventh studio album, The Blueprint 2: The Souvenir & The Expletive.[two] Since then, other notable collaborations between the pair include Beyoncé's 2003 number-i vocal, "Crazy in Love" featuring Jay-Z,[3] 2013'southward "Office Ii (On the Run)" which is widely regarded every bit the follow upwards to "'03 Bonnie & Clyde"[4] and "Drunk in Dear", the couple's collaboration from Beyoncé'due south self-titled fifth album, which was unexpectedly released in December 2013.[v]

In July 2013, Jay-Z stated that a joint tour with Beyoncé was "slowly making sense, more sense every 24-hour interval".[6] Throughout 2013 and 2014, during Beyoncé's The Mrs. Carter Testify World Bout, Jay-Z made multiple guest appearances, starting in July at The Audio of Change Live charity concert where the couple performed "Crazy in Love" together,[vii] shortly followed by some other guest advent at Brooklyn'south Barclays Center in August, where Jay-Z performed "Tom Ford" accompanied by Beyoncé's backing vocals every bit found in the vocal.[8] During Beyoncé's terminal leg of the tour in 2014, Jay-Z appeared a total of seven times to perform their virtually recent collaboration, "Drunk in Love", together. Jay-Z accompanied Beyoncé on all half-dozen nights of her Otwo Arena stint in London and finally, at the last dark of the tour in Lisbon.[9] [10]

Rumours of a co-headlining stadium tour from Beyoncé and Jay-Z first circulated on April 15, 2014, when Page Six reported that a source had revealed the "power couple" would exist partaking in a xx stadium US tour starting in late June and that a performance in New York could take identify on July 4.[xi] Confirmation of the rumours started to arise when it was reported that the Pasadena City Quango were holding a meeting to determine whether to corroborate the couples' proposed concert on August 2, 2014 at the Rose Bowl. The vote on the matter took identify because the Rose Bowl – nestled within an flush, residential neighbourhood – has a limited number of events permitted per year of twelve, which can but exist extended if approved by the city council. The concert was ultimately reported to be the eighteenth canonical event of 2014 for the Rose Bowl.[12]

Development [edit]

The tour was "conceived and launched fast compared to most stadium tours" according to Live Nation, who noted that well-nigh tours of this nature take more than than a year of planning, compared to the On the Run Bout that took around 1 month. "It came together quite quickly, around mid-March", Omar Al-Joulani of Live Nation North America commented. "By April, we had everything together, and once the routing was in identify we had well-nigh 3 weeks until the tour was appear."[13] Post-obit the general auction of tour dates, fans were left concerned as the July 11, 2014 evidence in E Rutherford, New Jersey remained pending to go on sale for many weeks, despite all other dates already beingness bachelor to the public. Some reports stated that the reason for this was that the state of New Jersey had implemented a legislation resulting in 95% of tickets for an effect having to be available to the public.[14] The prove was eventually put on sale to the public on June four, 2014.[15] The On the Run Tour was the first tour to be a function of "Official Events" – the collaboration of Facebook and Live Nation in which the size and scale of Ticketmaster'southward database is leveraged as events promoted past Alive Nation are imported to Artists' Facebook Pages every bit "Official Events", providing fans with direct links to Ticketmaster to purchase verified tickets.[16]

The tour was stated to have a running theme throughout the performances of being "on the run" by the Miami New Times, whether it is from "the media, their identify in pop music, the haters, the bullshit and sometimes fifty-fifty each other". When explaining the concept of the tour and its accompanying videos in a telephone conversation to New York-based manager Dikayal Rimmasch, Jay-Z stated "We're not trying to practise this literally, it'due south not that we're Bonnie and Clyde. We're on the run from everything. On the run from becoming a cliché. On the run from doing the same thing once again."[17] During their individual performances, Beyoncé was often backed by both male and female dancers and Jay-Z was noted to hold the phase for multiple songs without help. Beyoncé was backed by an all female person ring during her solo songs, whilst Jay-Z was accompanied past other male instrumentalists; however both artist's musicians collaborated for the bulk of the operation. Video interludes filled with "cop chases and other violent outbursts" carried the storytelling betwixt songs. The performances of the joint bout was said to exist carve up up similarly to Jay-Z'south previous joint venture with Kanye West, the Picket the Throne Tour. Beyoncé and Jay-Z would take turn holding downwardly the stage, beginning with several songs past Beyoncé first, followed by duets and subsequently Jay-Z rapping his songs.[18] Both artists sported multiple outfits from a variety of fashion designers throughout the performances of the bout. In Beyoncé's example, makeup creative person Sir John Barnette commented on her quick changes backstage between performances, comparison them to "Daytona 500" with every member of her team working on a separate role of her look.[19]

Way [edit]

During the tour, both headliners sported multiple outfits. Beyoncé is seen wearing a black and white American flag clothes, with a 16.4 feet long train.

Both Beyoncé and Jay-Z sported multiple outfits throughout the different performances of the tour. One of the more prominent designers for the tour was Versace, in which Beyoncé wore both a fishnet and leather Atelier black bodysuit (complete with a plunging neckline, a fishnet head mask and loftier heel gainsay boots), likewise equally a colourful Atelier bodysuit from the designer. The leather Atelier black bodysuit took approximately 200 hours to craft and was used for the opening number of the tour, "'03 Bonnie & Clyde".[20] The colourful bodysuit was commented on past Versace who stated that the team had their inspiration from the street for the color and added various crystals and stripes to testify a "baseball vibe" while likewise trying to capture Beyoncé's free energy.[21] Beyoncé'south tour shoes were designed by Stuart Weitzman and Joker'south Closet.[22] Other outfits included a denim jumpsuit and a bedazzled leotard bodysuit that "showed off her derrière".[23] Beyoncé also sported more thematic and dramatic pieces of clothing, including a full bridal veil and a sweeping train fabricated of a black-and-white American flag.[xviii] The American flag outfit was designed by Riccardo Tisci of Givenchy and took over 500 hours to create. The American flag railroad train was 16.4 anxiety long just weighed around 500 grams allowing it to fly in the wind. The individual stars on the outfit were manus-embroidered and its inspiration was said to exist "American Danger: Bonnie & Clyde with a modern twist."[24] For the performance of "Ring the Alarm", Beyoncé returned to designer Vrettos Vrettakos (with whom she collaborated with notably on her previous solo tour).[25] Designed past Dennis Kolpodinos, Vrettakos produced a red, "couture 'crystal spirit' bodysuit" complete with fringe details on the limbs and "embellished with Swarovski crystals for phase-ready shine".[26]

Alexander Wang designed a "bondage body suit" worn past Beyoncé during the evidence, too as multiple pieces by Nicola Formichetti for Diesel. One of these included the previously mentioned denim outfit, which was "made from the company's patented Jogg Jean material, accented with hand-applied hardware and studwork, Swarovski crystal elements and black leather accessories", worn for the performance of "Run the Globe (Girls)". Formichetti commented on the outfit, saying "Every archetype cops and robbers story blurs the lines between the proficient and bad, nosotros wanted Beyoncé's to exist both. Her await is one office constabulary officer and two parts jailbait."[27] Another slice designed by Diesel fuel was an outfit consisting of jean-shorts and a leather jacket embroiled with the word "Texas". Biker gangs that developed in the United States after World War 2 served every bit an inspiration for the outfit; Beyoncé's was meant as a tribute to her hometown and a reminder of her roots. Information technology took 4–5 hours to add the give-and-take Texas to the leather jacket.[28] The bondage bodysuit was described as "a riff off of an urban bomber hoodie jacket that was cropped to expose a bondage bodysuit underneath that has graphic cutouts. When worn up, the oversized hood covers the face, adding an incognito element reminiscent of the On The Run theme." Information technology too independent snakeskin seamed into the sleeves of the outfit.[29] One of the more controversial pieces worn by Beyoncé during the On the Run Tour was a black, thong leotard that "put her bare rear finish on display in a kind of cage-similar cutout". Erica Schwiegershausen of The Cut blog wrote that the number was a "somewhat disorienting await".[thirty] During the performance of "Single Ladies (Put a Band on It)", Beyoncé revisited a leotard from the song's music video in a black and aureate lace bodysuit designed by Michael Costello who wanted "Beyoncé to experience beautiful, strong, super sexy and ventilated" with the outfit.[31] Lebanese designer Elie Saab created a bridal-themed, white long-sleeve lace-embellished jumpsuit for Beyoncé for the performances of "Resentment" and "Beloved On Elevation" which was part of his Pre-Autumn 2014 collection.[32]

Jay-Z's fashion was noted to be Kanye-esque, with pieces worn by him including rotating ensembles of black leather as well every bit "giant, billowing pant scarves".[18] For the opening performance, Jay-Z appeared on stage in black sunglasses, gold chains, a black and white star speckled shirt and a black jacket.[33] During the operation of "Big Pimpin'" Jay-Z wore a fedora.[34]

Promotion [edit]

Beyoncé and Jay-Z are seen touching whilst dressed in Western-style habiliment in 1 of the many scenes of the "Run" video, released in May 2014 to promote the tour.

The tour was officially announced on April 28, 2014, via Jay-Z's Facebook page. Announcements shortly followed through Beyoncé's website and an official press release.[35] [36] Pre-sale tickets for fans to secure their seats first before the general sale were sold through Beyoncé'southward website and Chase credit and debit bill of fare users exclusively. A writer for Billboard noted that Chase was a surprising candidate for the official tour sponsor due to their lack of experience in the concert industry when compared to the live music sponsorship giants such as Citi and American Express. Chase allegedly scored the "11th-hr" deal due to previous connections with Roc Nation Sports (owned by Jay-Z) and a $4 million bid on the position.[37] A promotional poster for the tour was revealed showing Jay-Z and Beyoncé embracing and wearing ski masks, following the criminals-on-the-lam narrative of the couple's two singles ("'03 Bonnie & Clyde" and "Part Ii (On the Run)"). Beyoncé likewise wore a similar ski mask in her 2013 video "Superpower" featuring Frank Ocean from her cocky-titled anthology.[38] A second promotional poster was released on May 30, 2014, in an email to fans announcing the on sale times for certain tour dates. The poster features Beyoncé dressed in a white, short-cut wedding ceremony clothes whilst sitting behind and hugging Jay-Z on a motorcycle.[39]

Following the tour'due south annunciation, information technology was revealed that $i from each ticket sold and a portion of sure VIP ticket proceeds would get to the Shawn Carter Foundation (named based on Jay-Z's birth name), which would help and support existing students of the foundation that represent diverse backgrounds, and face up meaning barriers to success such every bit teen pregnancy, homelessness, poverty, former incarceration, sexual and domestic abuse, and gang membership.[twoscore] Fans in Houston, Texas were requested to bring preservable goods to a selected location past Beyoncé as part of her "#BeyGood" campaign, in association with the Houston Food Bank, Miss-A-Meal, The Bread of Life and Majic 102.1, to help work towards eradicating the nearly 870,000 Houston families suffering from hunger. Fans who donated to the campaign resulted in a adventure of winning some of the all-time tickets in the house for the On the Run Tour in Houston, at Minute Maid Park.[41] The campaign "exceeded expectations", with 2,500 people donating over ten tonnes of food.[42]

On May 17, 2014, an official video in a faux picture show trailer style starring Beyoncé and Jay-Z was released entitled "Run", featuring "Office II (On the Run)" serving as background music.[43] The video, which features multiple celebrity cameos including Don Cheadle, Guillermo Díaz, Jake Gyllenhaal, Kidada Jones, Rashida Jones, Blake Lively, Emmy Rossum and Sean Penn, shows Beyoncé and Jay-Z out on a Bonnie and Clyde expedition, filled with activeness, crime, honey and guns. Multiple other snippets of tracks from Magna Carta Holy Grail conduct the video, alongside "Part II (On the Run)".[44] The video notably ended stating "coming never", indicating that the trailer was in fact never going to be a total feature motion-picture show. The video was directed by Melina Matsoukas.[45] I of the many outfits worn past Beyoncé in the video was a Givenchy lace pant suit, and was commented to add together an angelic feel to the contrasting, fierce run of the narrative.[46]

Concert synopsis [edit]

Beyoncé performing in denim shorts, a white T-shirt and a studded leather jacket. The stage product for the performance consisted of heavy smoke and coloured lighting.

The concert opened with a black-and-white video on the screen accompanied by sirens as Beyoncé and Jay-Z appeared onstage surrounded by smoke. The duo started performing the song "'03 Bonnie & Clyde" with Beyoncé wearing a fishnet encounter-through mask and Jay-Z wearing a star-speckled shirt and gold bondage.[33] The pair went on to perform "Upgrade U" as the second song during the prepare.[47] "Crazy in Dearest" was performed past the duo among regal lights, smoke, and strobe lights with funky horns in the background."Diamonds from Sierra Leone" followed with Beyoncé leaving the stage as Jay-Z connected sang information technology and "Niggas in Paris" sol. Next, he performed "Tom Ford" with Beyoncé returning to the stage in a military cap and singing backup.[34] Jay-Z leaves the stage and Beyoncé sang "Run the World (Girls)" followed past a medley of "Flawless" and "Yoncé" was performed.

The next segment opened with Beyoncé and Jay-Z singing a medley of "Naughty Girl" and "Big Pimpin'".[34] Beyoncé then went to a glass chair, wearing a full-length sequined bodysuit, to performing "Ring the Alarm", followed by a duet of "On to the Next One" with Jay-Z.[34] A mashup of "Clique" and "Diva" was sung past Beyoncé equally a montage of state of war images and fireballs were shown on the screen, and so the performance of "Baby Boy" followed. After a costume change, Beyoncé sang "Haunted" and "Boozer in Love", the latter with Jay-Z. "Public Service Announcement" and "Why Don't Y'all Love Me" followed with the latter operation beingness accompanied by the French dancing duo Les Twins.[34] The duo then sang "Holy Grail" and "Sectionalization", the latter with a pole choreography by Beyoncé and her female dancers.[48]

The tertiary segment started with a video intermission with excerpts from "Office II (On the Run)" showing Beyoncé covered in claret in a lineup and glass shattering. Jay-z performed "99 Bug solo, followed by Beyoncé singing a medley "If I Were a Male child" and "Ex-Factor" afterward. Beyoncé moved to a phase in the middle of the stadium dressed as a bride with a long veil, and continued with a performance of "Resentment" seated. She airtight the act with "Dear On Acme", which was performed as a tribute to Michael Jackson, and "Single Ladies (Put a Ring on It)".[48]

The terminal segment saw Jay-Z singing "Difficult Knock Life (Ghetto Anthem)" with black and white shots of Brooklyn. Beyoncé appeared on stage once more to perform "Pretty Hurts" in a leather-studded jacket with the word "Texas" emblazoned across the dorsum. The pair moved to the mini-stage for the performance of "Function Ii (On the Run)", before exiting for a final costume alter.

The encore began with home videos of the couples' girl Blue Ivy appeared on the screen and an prototype of "The Carters" written in the sand followed.[33] I of the brusk projections on the screen showed footage of the pair's hymeneals ceremony in Apr 2008 forth with their "IV" tattoos, as well as a significant Beyoncé showing her blank stomach, with Jay-Z behind, putting the surrogacy and fake pregnancy rumors that accept appeared since 2011 to rest.[49] [50] The couple then appeared to close the testify with a medley of "Young Forever" and "Halo". Beyoncé and Jay-Z thanked the audience for coming and left as "Elevator Off" played as the outro.

Critical reception [edit]

The tour was generally well received past critics. Beyoncé was praised for her performance abilities and choreographed routines with her background dancers, and tin be seen performing "Unmarried Ladies (Put a Band on Information technology)".

The opening dark of the tour received generally positive reviews: USA Today 's Erica K. Landau praised the Miami concert, summarizing it as "[a] tantalizing spectacle, [with] triumphant vocals, palpable sensuality and haul-shaking anthems".[33] She further described the performance as integrated adding that, "the coordination is not only remarkable, information technology's the absolute best mode that two of the world's all-time performers can deliver a testify that proves why they're on meridian together".[33] MTV News editor Rebecca Thomas praised the duo'south united performance, calculation that they demonstrated how to share a phase, "egos aside: They toggled, repeatedly, and mostly seamlessly from one megastar catalog to the other and took fan-favorites in surprising new directions — ones that imbued them with pathos that hadn't been there before."[34] Miami New Times Kat Bein felt that the chemistry between the couple was non what information technology could take been, with Beyoncé reportedly shaking off Jay-Z's kisses or turning away during his "doting playfulness", however Bein added that this could have been simply a playful act for the phase. She felt that potential "witty banter" between the couple was lost with the use of the video pieces betwixt the songs.[xviii] Jon Caramanica in a review for The New York Times opined that each entertainer gave the other the opportunity to exist the eye of attending, while acknowledging their different types of success. He concluded "Jay-Z allowed for breezy enjoyment; Beyoncé demanded total and reverent attention".[51]

The following concerts for the duration of the tour were besides met with high praise from critics: Merecedes J. Howze of New Pittsburgh Courier praised the "consistent" prove in Cincinnati, stating "The duo has proven numerous times that their matrimony, professionally and personally, is unstoppable." Howze concluded that the show was definitely a "couples concert" meant to exist "enjoy[ed]" with a love partner.[52] CityBeat 's Jac Kern, who attended the same bear witness praised the duo for performing hard while fully using both of the two stages and interacting with the crowd. However she also felt that intimate moments between the couple on stage were "possibly staged".[53] The production of the tour was stated to be both large and minimal past The Boston Globe author James Read who commented that only a few performers could manage to pull off a product of On The Run's scale. He continued his review, "Nor is there much to behold beyond its stars: no long catwalks, elaborate sets, or even a visible band. With Beyoncé and Jay-Z, two natural-born entertainers, you do not need much more."[54] Mesfin Fekadu of the Associated Press reported that the set listing of the bear witness emulated a chat told through songs; he noted that despite the concert existence a collaborative tour, "it was the performers' emotional solo material that fabricated their presence as a collaborative duo strong and resilient".[55] The first Canadian show of the bout was again well received by critics. Graham Slaughter of the Toronto Star concluded in his review, "If there's annihilation to exist learned from the On the Run bout, it's that tight timing, a dynamic storyline and legendary talent make a 42-song concert not just enjoyable, but rather unforgettable. Performers exist warned: the bar on dual concerts has forever been raised."[56] Lorraine Ali of the Los Angeles Times who attended the showtime of two shows in Pasadena, California, also gave a positive review noting that the concert showcased how a marriage should piece of work with the spouses "balancing out each other's weaknesses with individual strengths" on phase. Ali went on praising the stage interactions betwixt the pair such as kissing and toggling and concluded, "Whether it was a carefully orchestrated act or non, they are a great team."[57]

Jay-Z was commended for holding down the phase and working the oversupply lone for nigh of his solo performances.

The merely European shows in Saint-Denis, France, were also lauded past critics. Lewis Corner of Digital Spy gave the second show a five star review. He praised the performance abilities of both artists, explaining "When left to [Jay-Z's] ain devices on stage, the rapper is forceful and fallacious. It takes fiddling for him to have thousands waving their hands to 'Tom Ford', as he looks dapper in honour of the designer. But when Beyoncé rises upwards out of the phase in a denim armed forces outfit to the question 'bad bitch?' and so storms into 'Run The World (Girls)', the runway's sentiment couldn't resound more. Without doubt, she lives upward to her hype as one of the world's best performers. Slick movement, tight choreography, innocent attitude and effortless vocals instantly escalate the atmosphere of the show."[58] Simon Harper of Disharmonism felt that both performers had immediately apparent different performance approaches and both allowable an "incredible presence and deafening screams from the French crowd", however concluded that Beyoncé just finished on top as the amend of the 2, finalising his all positive review with "The music world'due south about powerful and influential partnership couldn't fail to demonstrate the reasons for their ascent to dominance... As the On The Run tour comes to its determination, it'due south clear to come across that Mrs. Carter emerges on acme. Merely damn, it was a skilful race to watch."[59]

Commercial performance [edit]

The bout was a commercial success, playing for over 980,000 fans. A lit up and crowded Safeco Field is seen from the couples concert there on July 30, 2014.

Tickets for the tour were priced at $xl to $275, so that wherever fans were on the "ticket chain", they had an opportunity to nourish the show. "We made sure we had affordable tickets as well equally the higher-priced tickets that nosotros know the marketplace can carry. Pricing went right beyond the spectrum", promoters explained.[xiii] Jesse Lawrence of Forbes stated that demand for the tour was "through the roof" and that the On the Run Tour was "guaranteed to exist one of the biggest tours in recent years." Shortly afterward pre-sales for the tour began, tickets had already started to announced on the secondary ticketing market. In the same article, Lawrence explained how with an average ticket price of $342.67 on the secondary market, the On the Run Tour was "head and shoulders above the residuum", having a college average ticket price than both Beyoncé and Jay-Z's previous aforementioned solo tours, Jay-Z'southward previous co-headlining tours with Justin Timberlake and Eminem, also as The Monster Tour; the then upcoming co-headlining tour from Rihanna and Eminem.[lx]

Billboard reported that the On the Run Tour was "already one of the summer concert flavour's hottest engagements" and noted that tickets had sold out in minutes for multiple dates.[37] Due to the large demand, extra dates were added in East Rutherford, San Francisco and Pasadena following the first shows in each metropolis selling out.[61] The second Rose Basin stadium appointment in Pasadena, California, again had to await approval from the Pasadena City Council for the same reason that the Rose Bowl has a cap of twelve events per year and all other events exceeding this limit require approval from the city council.[62] On June 13, 2014, two Saint-Denis dates of the tour were announced, set to exist performed at the Stade de France. The dates were labelled as the exclusive, but European shows of the On the Run Tour.[63] Inside two hours of going on general sale, 90,000 tickets were sold between the two Saint-Denis shows.[64] Stephanie Smith of Page Half dozen reported that Beyoncé and Jay-Z were paid $4 million per show of the tour, "guaranteed and contained of ticket sales". This totalled to a $84 meg total payout to the couple throughout the duration of the bout.[65]

Alive Nation reported to Billboard that the tour had already sold 750,000 tickets and was on pace to attain 850,000 total tickets sold in North America. It was besides noted that the bout was averaging shut to $5.2 million per show in current sales and that the On the Run Tour would finish as "1 of the most successful tours of the year".[66] On the same day, Forbes reported that the summer bout would about likely finish as the second most successful bout of all time by one measure when looking at the average gross per show, which so stood at a predicted $five million.[67] In August 2014, Omar Al-Joulani of North American touring for Live Nation confirmed that the On the Run Tour had officially passed $100 meg in ticket sales in the 19 Northward American shows alone, with attendance topping out at more the previously predicted 850,000. Al-Joulani also noted the triumph of the tour outside of the "must play" markets such as New York City or Los Angeles, stating the tour routed into some secondary touring markets similar Cincinnati, New Orleans and Seattle "that turned out to exist wildly successful". "We had the greatest time in those markets" said Al-Joulani.[xiii]

In September 2014, the North American leg of the tour was individually reported to Billboard Boxscore. Beyoncé and Jay-Z landed atop of the Hot Tours chart with 19 sold out shows. The near commercially successful performances of the tour were venues with double bookings, establish in Eastward Rutherford, grossing $xi.5 meg, Pasadena grossing $10.9 1000000 and San Francisco, generating $8.8 meg.[68] The tour was announced every bit the fifth highest-grossing tour of 2014 in Pollstar's annual highest-grossing tours chart, with a full revenue of $109.vii million. The tour also had a total omnipresence of 979,781 and an average attendance of 57,634 per metropolis.[69]

Records [edit]

At the July 1, 2014 concert in Foxborough, Jay-Z became the first rapper to headline Gillette Stadium.[54] Baltimore Ravens senior manager for ticket sales Mike Burke reported that the On the Run Tour was the fastest selling concert ever at the Thou&T Bank Stadium, stating that unlike other shows there, "this sold out every seat virtually instantly. I guess that'south the power of Beyoncé."[lxx]

Broadcasts and recordings [edit]

In July 2014, it was announced that HBO would exclusively air the On the Run Tour in full at some point in September, following the upcoming filming of the concerts in Saint-Denis, France at the scheduled September 12 and xiii, 2014 shows in the urban center. The shows were shot past music video director Jonas Åkerlund and aired on the aqueduct on September 20, 2014.[71] HBO used 20 unlike cameras to tape the two shows.[72] The concert special received a 0.5 rating of adults aged 18–49, and aired to 888,000 viewers.[73] Following the airing of the special, videos of the performances of "Immature Forever" / "Halo" and "Flawless (remix)" featuring Nicki Minaj, were uploaded to Beyoncé'southward official YouTube and Vevo account.[74]

In September 2014, it was announced that a trilogy of videos entitled "Bang Bang" were to exist released as a brusque film leading up to the circulate of the tour special. The short motion picture (in which multiple scenes are constitute in video interludes and backdrops throughout the tour) was directed by New York-based filmmaker and photographer Dikayl Rimmasch. Together with state of war photographer William Kaner, Rimmasch put together the filmmaking approach and aesthetic of the series.[75] Inspired by French New Wave cinema, the short moving picture was created using custom photographic camera rigs that Rimmasch had designed, fifty-twelvemonth-old Russian lenses and lighting effects by Archie Ciotti and Scott Spencer and followed an incredibly fast, shoot-from-the-hip recording way.[76] However, following the release of office one of the trilogy, the remaining two videos never came to surface on their scheduled release dates. When asked well-nigh this (and the deletion of part one from its original upload source), Rimmasch simply stated "no comment".[77] In Feb 2015, all 3 videos resurfaced online, debuting on creativeexchangeagency.com.[78]

Set up list [edit]

This set list is representative of the first performance in Due east Rutherford, New Bailiwick of jersey. It does not represent all concerts for the elapsing of the tour.[79]

Shows [edit]

Personnel [edit]

Credits and personnel are taken from the Official On the Run Tour Program.[22]

Creative phase direction/staging

  • Beyoncé
  • Jay-Z

Performance surround designed and illuminated by

  • Beyoncé
  • Jay-Z
  • LeRoy Bennett

Creative directors

  • Todd Tourso
  • Ed Burke

Music directors

  • Derek Dixie
  • Omar Edwards

Band

  • Omar Edwards – Keyboards
  • Tony Royster Jr. – Drums
  • Rie Tsuji – Keyboards/assistant arranger
  • BiBi McGill – Guitar
  • Kat Rodriguez – Tenor/bari saxophone
  • Crystal "Rovél" Torres – Trumpet
  • Addison Evans – Alto saxophone
  • Lauren "LT" Taneil – Bass
  • Venezella Joy – Drums

Background vocalists – The Mamas

  • Crissy Collins (tenor)
  • Montina Cooper (alto)
  • Tiffany Monique Riddick (soprano)

Dancers

  • Ashley Everett – Dance helm
  • Kimberly Gipson – Dance captain
  • Les Twins
  • Denee "Dnay B." Baptiste
  • Sarah Burns
  • Tanesha "Ksyn" Cason
  • Hannah Douglass
  • Hajiba Fahmy
  • Amandy Fernandez
  • Kim Gingras

Choreography

  • Chris Grant
  • Dana Foglia
  • Swetlana Kostantinova
  • Philipe Decouflé

Boosted choreography

  • Frank Gatson
  • JaQuel Knight
  • Denee Baptiste
  • The Crazy Horse dancers
  • Sheryl Murakami
  • Christian Owens
  • Jeffrey Page
  • Mishay Petronelli
  • Danielle Polanco
  • Les Twins
  • Jose "Hollywood" Ramos
  • Tanisha Scott
  • LaVelle Smith Jr.

Beyoncé wardrobe

  • Ty Hunter – Caput stylist
  • Raquel Smith – Stylist

Jay-Z wardrobe

  • June Ambrose – Head stylist
  • Tuki Babumba – Banana to June Ambrose
  • Eli Wasserman – Assistant to June Ambrose
  • Rebecca Pietri – Wardrobe/ambiance co-ordinator

Band/dancer wardrobe

  • Su Flesland-Carter
  • Hannah Kinkead
  • Tim White
  • Marni Senofonte – Additional styling
  • Eric Archibald – Additional styling

Tour hospitality

  • Christine Dallas – Backstage co-ordinator
  • Kavi Agrawal – Backstage co-ordinator
  • Christopher Genovese – Dressing room/ambiance co-ordinator
  • Alli Harvey – Dressing room assistant
  • Eddie Uvaydov – Assistant backstage co-ordinator

Personal services

  • Natalie Kinghorn – Physiotherapist
  • Neal Farinah – Hair stylist
  • Sir John Barnette – Make-upwards artist
  • Brandon Crowe – Personal chef

Bout management

  • Desiree Perez – Executive Producer
  • Alan Floyd – Tour manager
  • Marlon Bowers – Assistant tour manager
  • Larry Beyince – Assistant tour managing director

Bout promotion

  • Live Nation

Tour business administration

  • Mark Aurelio – Tour accountant
  • Andrew Solomon – Parkwood auditor
  • Danielle Triebner – Travel amanuensis

Publicity

  • Yvette Noel-Schure – Schure Media Group
  • Jana Fleishman – Roc Nation
  • Carl Fysh – Imperial Pitt, Uk

Ticket services

  • Jessica Vaccino – VIP Nation manager
  • Jeff Staadt – Parkwood VIP ticketing
  • Elizabeth Pickrel – Live Nation ticketing
  • Ian Opitz – VIP Nation

Merchandising

  • Nick Jones – Global Merchandising Services Ltd.
  • Kyle Compton – Global Merchandising Services Ltd.
  • Jim Levin – Live Nation

Security

  • Julius De Boer – Personal security
  • Tom Langwiesner – Personal security
  • Mark Williams – Personal security
  • Scott Nichols – Venue security
  • Bob Fontenot – Venue security
  • Sarah O'Herlihy – Venue security

A creation of

  • Parkwood Entertainment
  • Roc Nation
  • Columbia Records
  • Life+Times

Sponsor [82]

  • Chase

References [edit]

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External links [edit]

  • "On The Run: Rehearsals" YouTube

officerindecing.blogspot.com

Source: https://en.wikipedia.org/wiki/On_the_Run_Tour_%28Beyonc%C3%A9_and_Jay-Z%29

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